ALBUM · ROCK

Black Ice

2008 · 0h 55m
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Black Ice is the fifteenth studio album by Australian hard rock band AC/DC. Released internationally on 20 October 2008, it was produced by Brendan O'Brien. It marked the band's first original recordings since 2000's Stiff Upper Lip, with the eight-year gap being the longest between AC/DC's successive studio albums. Black Ice has the longest running time of any AC/DC studio album. The album's development was delayed because bass guitarist Cliff Williams sustained an injury and the band changed labels from Elektra Records to Sony Music Entertainment. The first composing sessions between guitarists/brothers Angus and Malcolm Young were in London in 2003. Recording happened during March and April 2008 at The Warehouse Studio in Vancouver, British Columbia, Canada. O'Brien tried to recapture the rock sound of the band's early work, as opposed to the blues orientation of Ballbreaker and Stiff Upper Lip, with suggestions such as adding "soul crooning" to Brian Johnson's singing. The songs were mostly recorded live in the studio; engineer Mike Fraser used only sparse overdubs and effects to keep the tracks as close to the originals as possible.

Rock
QUICK FACTS
Release Date
Oct 20, 2008

Storyline

Black Ice is the fifteenth studio album by Australian hard rock band AC/DC. Released internationally on 20 October 2008, it was produced by Brendan O'Brien. It marked the band's first original recordings since 2000's Stiff Upper Lip, with the eight-year gap being the longest between AC/DC's successive studio albums. Black Ice has the longest running time of any AC/DC studio album.

The album's development was delayed because bass guitarist Cliff Williams sustained an injury and the band changed labels from Elektra Records to Sony Music Entertainment. The first composing sessions between guitarists/brothers Angus and Malcolm Young were in London in 2003. Recording happened during March and April 2008 at The Warehouse Studio in Vancouver, British Columbia, Canada. O'Brien tried to recapture the rock sound of the band's early work, as opposed to the blues orientation of Ballbreaker and Stiff Upper Lip, with suggestions such as adding "soul crooning" to Brian Johnson's singing. The songs were mostly recorded live in the studio; engineer Mike Fraser used only sparse overdubs and effects to keep the tracks as close to the originals as possible.

Other Details

Release Date
October 20, 2008

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