ALBUM · COUNTRY · FOLK · POP

Wheatstraw Suite

1968 · 0h 27m
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Wheatstraw Suite is the fourth album by American band the Dillards. Released in 1968, the album showcased an "unpredictable" mix of bluegrass, country, folk, rock and pop. For the album's sessions, the band recorded with a full orchestra, electric instrumentation and occasional drums. The band had been moving toward a more contemporary sound for a few years (they toured with the Byrds, featuring founding banjoist Doug Dillard on a Rickenbacker-built electric version of his instrument and future Buffalo Springfield drummer Dewey Martin), but Wheatstraw Suite was the first time they explored the new sound on a full-length album. The seeds of the album began when the Dillards briefly left Elektra Records, which had released their first three records but was "surprisingly resistant" to the band's new sound. The group recorded a few folk rock singles for Capitol Records, including different versions of a few of Wheatstraw Suite's songs. Capitol, however, soon grew unsympathetic toward the Dillards' style, and they re-signed with Elektra, which was now willing to try the new, more commercial sound.

Country Folk Pop Rock
QUICK FACTS
Release Date
Aug 22, 1968

Storyline

Wheatstraw Suite is the fourth album by American band the Dillards. Released in 1968, the album showcased an "unpredictable" mix of bluegrass, country, folk, rock and pop. For the album's sessions, the band recorded with a full orchestra, electric instrumentation and occasional drums.

The band had been moving toward a more contemporary sound for a few years (they toured with the Byrds, featuring founding banjoist Doug Dillard on a Rickenbacker-built electric version of his instrument and future Buffalo Springfield drummer Dewey Martin), but Wheatstraw Suite was the first time they explored the new sound on a full-length album. The seeds of the album began when the Dillards briefly left Elektra Records, which had released their first three records but was "surprisingly resistant" to the band's new sound. The group recorded a few folk rock singles for Capitol Records, including different versions of a few of Wheatstraw Suite's songs. Capitol, however, soon grew unsympathetic toward the Dillards' style, and they re-signed with Elektra, which was now willing to try the new, more commercial sound.

Other Details

Release Date
August 22, 1968

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